Years Before Smallville! (Spectrum Magazine)
By: Johnny Loyd
By: Johnny Loyd
In Superboy, Clark and Lana were older than their Smallville counterparts. They had already graduated from high school and were attending Shuster University (an obvious reference to Superman co-creator Joe Shuster). By the third season, Clark and Lana had graduated from Shuster and were working at the Bureau of Extranormal Matters, which investigated strange phenomena. Lest the reader groan at this tired cliche, remember that this aired three years before the premiere of The X-Files (and all of its numerous subsequent imitators).
The series is fondly remembered especially by fans of the comic s because it generally remained true to the spirit of those comics. And while the constraints of working within a syndication budget (plus half-hour length of the show) are obvious, the episodes rarely failed to deliver solid entertainment, and Christopher and Haiduk were particularly good in their roles. (See Spectrum for coverage of Haiduk in Brimstone, a series that also featured John Glover - Smallville's Loinel Luthor!).
Johnny Loyd caught up with Christopher during an appearance in Dallas just over three years (!) ago. We've been wanting to publish this interview ever since, but for one reason or another it either didn't work well with the other articles in a given issue, or it did but we didn't have time to prepare it for publication. This issue's coverage of Smallville makes the Christopher interview a perfect complementary feature, so we were determined to get it finished.
Our thanks to Gerard Christopher for talking with us (a long time ago)!. The interview was conducted in July 1999 by Johnny Loyd and transcribed and edited (in November 2002) by Craig Miller.
Gerard Christopher: I was originally a model in New York, and I started doing commercials - I've done seventytwo commercials. From that I got interested in television and features, and I started studying acting. I moved out to California, got an agent, and the whole thing started happening. I did my first TV pilot about a month after I got my agent. It was called Welcome to Paradise. It was shot in New Zealand. It was a CBS pilot that went on the air as a TV movie.
JL: You took over the role of Superboy from John Haymes Newton, who played the part during the first season. What was that like?
GC: It was hard. Stacy [Haiduk] had been dating him, so that meant her boyfriend wasn't there. And she also got along very well with the head stuntman, who I didn't get along with. I think he was upset they'd fired John.
The ratings of the show were very bad, which was just icing on the cake. It was number thirty-eight in syndication. The first thing they told me when they hired me was that if I didn't bring the ratings up, I was fired! Eventually the ratings went up to number ten, and the rest is history. We were on for three years.
JL: What was it like working with Stacy?
GC: Stacy's a really good actress, a really natural actress. She's very nice. I have some funny stories to tell you, but I really can't tell them for print! We had a good working relationship.
GC: Oh no, not at all. Everybody just liked him so much; he was so good. He's a very talented actor. He added so much to the show and made it so much easier for me to do my work.
JL: Is it true that you couldn't say the name "Superman" in the show?
GC: Yeah. Ilya Salkind, the producer of the show, didn't have the rights to Superman; they only gave him the rights to Superboy.
GC: I did. I'll tell you a funny story. I read once for the casting director. She brought me back to read for the producers and all the people at Warner Brothers. So I was in the room with the executive producers, the casting director, the whole shebang. I read; they loved me. The producer jumped up at the end, got hysterical, and said, "We've found him! This is our guy! Who are you?" He picked up my picture from the table, flipped it over and looked at my resume, saw that I had done The Adventures of Superboy, and he threw my picture on the table and said, "You've done this already!" And I went from the guy who was going to get the job to being out of a job in fifteen seconds because he didn't like that I had done it before. I think the guy was really a jerk, and I think it was a dumb move, considering that by the end of Superboy, I became Superman. It was called "Rites of Passage."
JL: A lot of people have wondered whether Lana Lang really did know that Clark was Superboy.
GC: She's not supposed to know, but she's trying to find out. She has her suspicions.
JL: If you had gotten the Lois and Clark role, after a couple of seasons they could have brought in Lana as the ex-girlfriend and set up a scenario where she knew but Lois Lane didn't.
GC: That would have been great!
JL: Do people recognize you in public all the time?
GC: When I dress in blue it happens more often! [Laughter] Though my hair's shorter now. A lot of people recognize me, but they can't remember from where. Most people recognize me from Superboy, but I've done other things, including some soap operas.
JL: And you were in an episode of Silk Stalkings. I think you got killed in that one.
GC: I did. And they almost killed me shooting it, because they ran me over with a production vehicle! As they were shooting it I was running away from Rob Estes. They had a camera at the front and the back of the truck. The truck was behind me, and the person driving wasn't really paying attention. He sped up and ran me over! It was pretty nasty. Other than that, it was a great experience.
GC: Constantly. Constantly. That's what most people say about our show - it was very true to the comics. The reason for that is because DC Comics was intimately involved in the production of the show, and they made sure that all of our shows had their approval, and that they were cohesive in terms of the storylines that had already been set forth in the comic books.
JL: It was ironic, though, that the show came out about the same time that DC was re-writting their history to say that there had never been a Superboy.
GC: DC tends to do whatever they can at that moment to get people reading.
GC: It's gotta'be, because it is his story. If you look at the beginning of the first Superman movie, when Clark is young, that's my story. It's the same character; it's the same person, just younger.
JL: For example, in the movies and in your show, Clark's parents died, whereas in the comics nowadays, as in Lois and Clark, they're still alive. Was there any talk of bringing Krypto, Superboy's dog, into the show?
GC: Yes, there was. We thought it would be a lot of fun, but working with an animal would cause a lot of problems and slow down production. I would have loved it. Nobody's ever asked me that. That's a really good question.
GC: I got a directing contract from Viacom during the last season of the show. It wasn't to direct my show, because they thought that was a little too much for me to do. It was to direct a show in Canada, but it didn't work out - it's kind of complicated. But I did get to write Superboy episodes the last two seasons, and I did get to produce the show the last season, which was fun.
JL: What misconceptions do people have about the show?
GC: A lot of people who haven't seen it don't know that it was a really good show. I'm not saying this because I was in it - it was an excellent show because of all the peole that were involved. It was a great team effort - really good writers, the people that built the sets and built the props - everything was really good. It was such a good, good show for the money. When you think that Lois and Clark was made for about four to five times what our shows was made for, I don't see the difference. I don't think our show got the credit it was due. I don't think most people realized how popular it was - number ten in syndication - because it wasn't a big network show. It was generally on smaller stations throughout the country. I think they may have dropped the ball in terms of promoting the show. Stations kept moving us around. And when our ratings were very high, at number ten, stations started moving us to Saturdays, thinking it was just a kids show, which was a major mistake. I don't know who did their demographics, but I'll tell you where my fan mail was coming from - something like seventy percent was from people over forty.
JL: I think the flying sequences on Superboy were even better than what ended up in Lois and Clark.
GC: You would have thought that they would get things better and better over time, but they wanted to go their own way and start from scratch instead of building on what we had done. I don't think they hired the same people that we used. We had the same people that flew Christopher Reeve in the Superman movies. The show flew these guys in from England.
GC: That's hard to say. "Roads Not Taken" [a two-parter] were two of the best. One of my personal favorites was "Body Swap" because I got to be a bad guy.
JL: Thanks for talking with us.
Interview with Gerard Christopher
By: Brian McKernan
By: Brian McKernan
Superboy marked an historic return to live-action television for the Man of Steel when the show premiered October 3, 1988. It had been more than 30 years since the cameras rolled on "All That Glitters," the last episode of Adventures of Superman and like its historic predecessor, this new show was also a half-hour first-run syndicated action/adventure series featuring the latest in special effects and a varied assortment of guest stars.
Totaling 104 episodes when production ended in late 1992, Superboy (retitled The Adventures of Superboy in its third and fourth seasons) was produced in Orlando, Florida - first at Disney/MGM Studios and then at Universal Studios/Florida. A co-production of Viacom and Alexander and Ilya Salkind (creators of the first three Christopher Reeve Superman movies and Supergirl), the show was well-received among television critics and ranked among the top ten Nielson-rated new syndicated programs.
The show's first two seasons chronicled Superman's college years at Shuster University's Siegel College of Journalism (a nod to Superman's co-creators, Jerry Siegel and Joe Shuster). The equally fictitious Capitol City was the show's setting in its third and fourth seasons, in which Clark Kent and Lana Lang (Stacy Haiduk) completed their education with internships at the "Bureau for Extranormal Matters." These later episodes were executive produced by Julia Pistor for Lowry Productions.
Gerard Christopher, educated at New York's prestigious Julliard School and a veteran of many film and TV appearances, was selected for the coveted role of the young Superman after the departure of first-season lead John Haymes Newton. Over the course of his involvement with the series, Christopher expanded his duties to become a producer and, on two occasions, scriptwriter. His creative influence over Superman's updated television persona, while innovative and original, was greatly inspired by George Reeves and Adventures of Superman, as he explains in this interview with The Adventures Continue contributor Brian McKernan.
Q: Was Adventures of Superman on TV in your home when you were growing up?
I grew up with Superman and he's a real slice of American culture. When I was a child, George Reeves was the Superman I saw first. My upbringing was similar to that of most people; my mother told me I used to put a towel around my neck and jump off the roof of the garage in our back yard when I was a kid. When I got the role of Superboy I was pretty numbed by it. It's not like doing any other characters. Roles come and go, I worked on Melrose Place recently, but Superman is something that will always linger with me.
Because Superman is etched into television history. It's a real piece of American culture. It was a pretty awesome thing to do,
to see the effect this character has on kids - on all people - all over the world. It was a little bit scary, but also a lot of fun. I got a
lot of participation from fans who sent me the most unbelievable letters and were incredibly knowledgeable about the history of Superman. They told me some of the most obscure things that were just amazing. And it turned into a great experience for me, one that I couldn't have imagined when I started out. It was pretty daunting, just to fit in some way into the whole mold of what's been created in the Superman legend. It was amazing - a fantastic experience.
Q: I imagine that there were certain things that people expected to see - such as flying, which you did a lot of.
And the reason I did was because of the fan mail. When I read letters the one thing people wanted to see - hands down - was flying. You could punch anything, break through walls, use X-ray vision, use heat vision - just as long as you show flying. Everyone loves it.
Q: Who particularly stands out among the other actors who have portrayed Superman?
I looked to the best available examples of Superman in preparing for the role. I'd grown up with George Reeves' series, of course, and I looked at most of the other live-action versions: the Salkind movies, the serials with Kirk Alyn, and even the Superboy pilot done in 1960 with John Rockwell, who's actually a friend of mine. I never even knew he had been an actor until I got the Superboy series.
Q: So seeing what others had done with your character was part of your research for the role?
Yes, but there's something difficult about that, because you can't do what everyone else has done. You have to also make the role your own. That was a difficult thing to do because DC Comics had a very tight hold on us. There were many constraints as to what that character could and couldn't do. It was sometimes very difficult to have any kind of an ease about the character. But it was still a lot of fun. The word I get is that the cast of Lois & Clark: The New Adventures of Superman is having a bit more fun and is able to associate loosely on the set. They have more latitude because Warner Brothers, DC's parent, is overseeing things.
Q: Were you involved with the production of Lois and Clark?
I actually read for the show. It was interesting. At first the casting director didn't like my interpretation. Then she asked me to change it. I did and she liked it. Then she brought me in to meet the producers. When I walked into the room, they had no advance knowledge that I had done Superboy. Now, there are two ways to look at that: They're either going to love it because I had done the part before, or the opposite would be true – they'd hate it. I read for the producer and his reaction was, "Wow! You're great, it's wonderful, you're the perfect guy for this!" There was a room of six or eight people, it was kind of exciting. Then he grabbed my resume, looked at the work I'd done, flipped it over and said, "You've done this already!" He threw my resume down on the table and basically threw me out of the room. It was pretty funny.
You have to keep in mind the situation that the Lois and Clark people were in. It's similar to when a restaurant goes out of business and is taken over by new owners: The new management wants to change the decor, the menu, the colors, the fabrics on the chairs – everything. He could have looked at the new show as an easy transition for me – from Superboy to Superman. I'm older, I'm experienced, and I have a following. But he was making a big move, a big transition in how the character would be interpreted. He wanted to go a different way. People like to do things their own way and often times they cut ties with anything that came before for their own personal reasons. I'm not making any judgements; if that's what he wants to do it's his business.
Q: Are there any particular episodes of George Reeves' Adventures of Superman that stick in your mind?
I like the ones that are mysterious. "Dagger Island," where he was on a deserted island. And "The Mysterious Cube," where he transmigrates through solid objects - I kind of regret that we didn't use that idea on Superboy. I also like the pilot, "The Unknown People," with the mole men - it's just so weird. It also has Superman dealing with a worldwide issue, as opposed to just rescuing Lois when she's tied to some train tracks. It made me think, when I wrote episodes of Superboy, to created situations that put him in a world arena, not a local one. Here's a guy with all this power - what would he do if... ?
Q: "Wish for Armageddon," one of the Superboy episodes you wrote, put him in that world arena, battling a force seeking global destruction. Superboy fills in the gaps of the Man of Steel's college years with a variety of stories that range from gritty crime tales to pure science fiction - similar to Adventures of Superman three decades earlier. "Superboy... Lost" was clearly inspired by Adventures of Superman's "Panic in the Sky," an episode recently remade again as a Lois and Clark installment. Superboy seemed to broaden in scope when you and producer Julia Pistor came on the scene.
I owe my undying gratitude to Ilya Salkind for hiring and believing in me. Julia came in with fresh ideas and allowed me to make the changes I wanted to make. When she joined us we started getting some great episodes - we explored some interesting things and we had a lot of fun. Julia is a wonderful person and I can't say enough about her. She's very professional and she did what a producer has to do.
Q: The episode "Paranoia" was dark, yet funny, and guest starred Jack Larson and Noel Neill. It was very much an homage to Adventures of Superman, with Larson saying "Jeepers" at one point and making reference to having worked at a newspaper. What was it like to work with them?
Right off the top, I have to say that Jack and Noel are a great pleasure to work with, it was really exciting. So many of the people on the Superboy crew grew up with Adventures of Superman that it was very exciting for everybody. We were all in awe of them. Noel Neill is great. I felt that she was very appreciative to be there and that people wanted her. It was nice to work with her, she's a super lady.
Jack Larson is a super guy, I can't say enough about him either. He's been personally helpful to me, career-wise, and he's an incredibly nice and generous person. He's got a great sense of humor. Jack kind of looks at the cockeyed side of life sometimes, and always has a laugh under his voice. On the set, Jack was nice enough to say he thought our show was superior to his, which was sweet of him. He also said they never anticipated what a hit Adventures of Superman would be back when he first got involved in it. He did it on a whim, never realizing that he'd get socked into it for seven years.
Q: Did Jack Larson and Noel Neill talk about George Reeves?
They put the past in perspective in terms of their lives and careers. They just seemed to be having a lot of fun, which I was grateful for. That's part of the deal, having fun when we're working, and Jack added a lot to that. I did talk to Jack about George Reeves. He recalled what a great guy George was. Very upbeat. Obviously, that's the word that's around about George to this very day - what an incredibly generous guy he was. George used to go around putting $100 bills in other actors' hands and telling them, "Now go make a million!"
Q: Aside from Jack Larson and Noel Neill, who were the most interesting guest stars you worked with on Superboy?
Q: What did it feel like when Superboy ended its production run?
It was sad. I hate to say it, but when you work that closely with people on the set it's like you're married to all 110 of them. There was a sense of completion because we knew and anticipated the end of the show's production schedule. We were able to kind of set ourselves up for the end psychologically, and do things that we wanted to do, which was fun. But it was sad. We were all ticking down the days. We worked almost one continuous year with very few breaks. People feel burned out when they're working twelve hours a day, and often longer. We'd get all stressed out, but I'd tell people, "We're all going to miss this, don't forget it." Sure enough, it's all people talk about now. You wouldn't know it, but the behind-the-scenes aspects of the show were really nice.
Q: In what way?
The staff and the production value was nice, the quality of the treatment of actors and people - all of that was of very high quality. There are a lot of personal relationships that will go on. Professionally it was the most incredible experience for me to work with a lot of older, famous actors, some wonderful directors, and to learn a lot, get a directing contract, and to write and end up producing the show. I got the full boat on that show - I was lucky. It was tough to leave it.
Q: Any closing thoughts?
Just that Adventures of Superman and George Reeves both had a great effect on me, and on the work I did in The Adventures of Superboy. And that's important.
Q: I'd say that Adventures of Superman had a great effect on everyone born since 1951.
Yes, George Reeves portrayed a major, honest hero. And when you think of what people are watching today! Adventures of Superman was a big deal. Japanese Emperor Hirohito was a great fan of the show and used to send letters to George Reeves. It was done at a time in history when America was at a height. The show kind of fed all of that, there was so much going on. America was at the pinnacle of its strength in the world, those were interesting times. There's honesty in George Reeves' Superman. And strength tempered with humility. It's fun.
*Interview conducted Summer 1994 for The Adventures Continue Magazine, Issue #10
Noel Neill's Superboy Episode
From an interview with Noel Neill in Starlog Magazine (1992) –
"I did one Superboy episode ("Paranoia", 1991) with Gerard Christopher. Now there's someone they should do the new Superman movie with. He's certainly not a boy anymore; he's a grown man and a very good actor. And handsome! We did the last episode of his series, and he was very impressive."
From the Spring Issue of the Magazine Scarlet Street (1992) –
SS: Tell us about appearing on THE ADVENTURES OF SUPERBOY
NN: Oh, it was interesting working on the show in Florida! Gerard Christopher is so good-looking and so nice to work with and just a wonderful person. He makes a great-looking Clark Kent and a great-looking Superman! It's kind of a shame they have to, legally, call the show SUPERBOY, because, people say, "Oh, Superboy, just a little rotten kid running around in a Superman suit." But, you know, it's an adult show! Years ago, right after George died, they made one pilot of a SUPERBOY with a young boy, and they made one pilot of SUPERPUP. (Laughs) Which didn't go very far! So i guess I had that in mind and didn't watch it. But it's an excellent show!
SS: Whom do you play?
NN: Well! Jack and I were rather surprised when we received our scripts. He said, "Have you read it?" and I said, "Yes." He said, "Have you figured out what we're doing?" and I said, "Well, no. We're sort of playing agents." We thought we would come back as old Lois Lane and old Jimmy Olsen, which would be understandable. There were Superboys at three ages in a couple of SUPERBOY shows. Ron Ely played an older one, looking great, and then Gerry, of course, and then the little boy. And I thought, “Hey! Maybe they’re going to do something like that!” We read the scripts and I was playing Alexis and he was playing Jake Lamont, and I said, “Funny, you don’t look Italian.” (Laughs)
Within less than one year, the world lost 2 Superman legends. Jack Larson died on September 20th, 2015 at the age of 87. On July 3rd, 2016, beautiful Noel Neill passed away at the age of 95. Gerard had nothing but complimentary words for her.
Interview with the Superman Megasite
The Superman Megasite brings you another exciting interview! This time around we speak to actor Gerard Christopher, who portrayed "Superboy" in the Television series Superboy then later titled The Adventures of Superboy.
Q: Well first off, if you would, please tell us a little about yourself and taking on the role of Superboy?
I love acting but have many other interests as well; I sculpt, write, travel, cook, snow ski, scuba dive and am involved in some entrepreneurial business ventures. Superboy came along at a great time for me.
I was focusing on some other business at the time but when my agent called me with the interview for the job. I was really excited because not a day went by that a stranger didn't tell me that I looked like Superman. It seemed like a natural thing for me to do.
Q: It was stated once that you were a fan of Superman before even taking the role of Clark/Superboy, what about the character stood out to you the most?
Like most kids growing up in the sixties I was a big Superman fan. I remember seeing The Adventures of Superman with George Reeves and thinking how great it would be to have his powers. I remember sitting in the roof of our garage with a towel around my neck like a cape. Lucky for me I never jumped.
What I liked about the character was his complexity. He was a kind of illegal alien of another kind, he was like us, but he didn't fit in. People loved him but he didn't feel like he belonged and he was intensely lonely so he focused on the good that he could do. He was intensely strong and powerful but tried to be protective, gentle, well-mannered, kind, fair and respectful of others. Can you image how a kid today would act with his powers? That's a scary thought.
Q: What did you think of Superman Returns?
I thought that the movie was just great. It was done at a time where movie making technology has caught up with written sci-fi fantasy writing. What you write can now be filmed and be believable so it's an exciting time for the genre. This movie is especially amazing in terms of the 21st century movie making technology that makes the Superman fantasy come to life. I liked Brandon very much and think that he does justice to the Superman legend. The only think that I didn't like is that they didn't ask me to do a cameo, which would have been fun. I actually had a fender bender with Jon Peters in 2004 and he said that maybe he'd put me in his film. We all know that producers are prone to exaggerating but it was an odd coincidence.
Q: In your honest opinion, what do you think of Brandon Routh's take on Clark/Superman in Superman Returns?
I thought that he was great! His Clark was imaginative and he walked the fine line that he needed to walk to keep the secret and the romantic tension. His Superman was strong and commanding and I thought right on the mark. Brandon also really looks the part.
Q: Do you own any of the original costumes from the Superboy series?
I produced the last season of the show and was able to take my costumes when the show ended with the exception of one or two that were stolen by a crew member that I knew. Yes, I have my costumes tucked away safely in storage and I can still get into them.
Q: What was your favorite episode of the entire series?
That's such a hard question to answer because I liked so many. I especially like the episodes where I could show off my super powers in a creative way like changing into Superboy really fast or using my heat or x-ray vision but especially a great flying sequence where I could actually fly outdoors on wires, not on blue or green screen which we did in the studio. I remember having a lot of fun shooting 'Body Swap' because I really got to break out of the normal Superboy personality and be a bad guy with super powers for a change. It was a lot of fun.
Q: Can you tell us a bit about the premiere of Superman Returns?
It was big and chaotic but it was very exciting for me, my wife and I sat next to Ilya Salkind who hired me. He really loved the film and was screaming and cheering louder than anyone else in the theatre.
It was fun for me to be there to see the film and I am grateful to Bryan Singer for inviting me, but that was not my film and I was a spectator just like everyone else who was just there to enjoy it and take it all in.
Q: What do you think of the Superman Megasite?
It seems like a real labor of love dedicated to the Superman legend it's great! I just wish they had more of my show on it, lol.
*The Superman Megasite is no longer on the web*